Jellybellies, 2015, silk and wool thread on canvas, 24 x 24 inches
About the Work
I grew up a small town girl, in Kalamazoo, Michigan. For generations the
women in my family did crafts. I always had projects going, but I was never
exposed to any formal artwork. When I had my family, in Chicago, I continued to
do handwork. I began seriously exploring color relationships after our kids
left home. I spent hours every day knitting small blocks of color patterns,
spreading them out on the floor, and considering how they related to each
other. At the same time my husband and I had been collecting art for many
years. We transitioned from loud neo-expressionist things to more reductive,
primarily monochrome paintings–all surface and color–to abstract work that
focused on surface, drawing, and color relationships. We moved to New York
about nine years ago.I was surrounded by more stimulation. I began making rugs
and thinking about pattern work, but my main focus was still color interaction.
My needlepoints began as simple pattern explorations, and I’ve been working on
loosening up
Curvaceous, 2017, silk and wool thread on canvas, 20.5 x 21.75 inches
About the Artist
In 2013 Ravitz had a one-person show at Mondo Cane in New York City that included three rugs, all the same pattern and colors, each made in a different technique with different material, and three paint-by-numbers of the rugs. In 2016, she was in a group show at Minus Space. Sue also directs and curates the program at 57W57ARTS.
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